Celui-ci souhaitait créer « une nouvelle Rome » ; pour suivre cet objectif ambitieux, il a fait appel à de nombreux artistes italiens tels que Rosso Fiorentino ou Le Primatice. Gli ultimi lavori furono effettuati nel XIX secolo. Gloria, 1535 or 1536. Rosso Fiorentino ("Ruivo Florentino", em italiano), ou simplesmente Il Rosso ("O Ruivo"), nascido Giovan Battista di Jacopo (Florença, 1494 - Fontainebleau, 1540), foi um pintor italiano, um dos principais expoentes do maneirismo na pintura.. Nascido em Florença, ruivo (a origem de seu apelido), Rosso foi aprendiz de Andrea del Sarto, junto com Pontormo. En 1526 alors qu'il rentre à peine de captivité, François I er fait venir d' Italie un groupe important d'artistes italiens pour embellir son Palais de Fontainebleau [ 3 ] . Key artists at Fontainebleau included Francesco Primaticcio (1504-70) and Rosso Fiorentino (1494-1540). Benvenuto Cellini (Italian pronunciation: [beɱveˈnuːto tʃelˈliːni]; 3 November 1500 – 13 February 1571) was an Italian goldsmith, sculptor, draftsman, soldier, musician, and artist who also wrote a famous autobiography and poetry. Born Florence 8 March 1494, arrived in Rome before the Sack and was taken prisoner by the Germans. Die Arbeiten für das Schloss wurden ab 1530 von italienischen Künstlern wie Rosso Fiorentino ausgeführt. Galerie François I er de Rosso Fiorentino et Scibec de Carpi au Château de Fontainebleau (1534-1539). Highlights Zij werkten in het Kasteel van Fontainebleau aan de decoratie, de fresco's en de gips pleister-ornamenten, die de wandtapijten moesten vervangen. 100% satisfaction guaranteed. Rosso Fiorentino. Die Arbeiten für das Schloss wurden ab 1530 von italienischen Künstlern wie Rosso Fiorentino ausgeführt. Bronzino. Giovanni Battista di Jacopo (8 March 1495 in Gregorian style, or 1494 according to the calculation of times in Florence where the year began on 25 March – 14 November 1540), known as Rosso Fiorentino (meaning "Red Florentine" in Italian), or Il Rosso, was an Italian Mannerist painter who worked in oil and fresco and belonged to the Florentine school The stage name Rosso Fiorentino refers to the artist's red hair. School of Fontainebleau: The infamous French palace, decorated in the late 1500s by a group of painters headed by Rosso Fiorentino, specialized in eroticizing the mythological or classical subjects that were requested for the aristocrats of the time, serving as a precursor for the fanciful tastes that the later nobles would request. Access full book title L Arte Racconta by Rosso Fiorentino, the book also available in format PDF, EPUB, and Mobi Format, to read online books or download Larte Racconta Rosso E Primaticcio Al Castello Di Fontainebleau full books, Click Get Books for free access, and save it on your Kindle device, PC, phones or tablets. Rosso Fiorentino Fontainebleau Shark Sickle Prov. The King began rebuilding in 1528 and by 1530 had persuaded Rosso Fiorentino (1494–1540), the first of many Italians who were to work there, to locate in France. The School of Fontainebleau was led by an Italian Mannerist Rosso Fiorentino, who was invited by Francis I to decorate the Palace of Fontainebleau, located 40 miles from Paris, in 1530. Rosso Fiorentino: Italian Mannerist Painter, ca.1495-1540 Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. En Francia, el manierismo fue difundido por Rosso Fiorentino, quien fue allí a trabajar en la corte de Fontainebleau. In France, the School of Fontainebleau, which was originally founded by Italians such as Rosso Fiorentino, succeeded in establishing a durable national style. GUEST WORK. Scala, 1998. This engraving was based upon a preparatory study for a fresco by Rosso Fiorentino, made to decorate the royal château at Fontainebleau. Oriane Beaufils, Conservatrice du patrimoine, Direction du patrimoine et des collections, Château de Fontainebleau. François I (r. 1515–47) undertakes the expansion of his hunting lodge at Fontainebleau, with the aim of creating a court equal in luxury and modernity to any other in Europe. Giovanni Battista di Jacopo, llamado Rosso Fiorentino («Rojo Florentino») (Florencia, 8 de marzo de 1494 – Fontainebleau, 14 de noviembre de 1540), fue un pintor italiano renacentista integrante de la Escuela de Fontainebleau. There, the Italian masters launched what was to be known as l’École de … 1516-ban Firenzében tagja lett a festők céhének. Madonna of the Long Neck is an excellent example of the new style of Mannerism, that followed High Renaissance painting in the early 1530s. (es) Schloss Fontainebleau hat fünf Höfe, eine Kapelle, Prunkräume, Fresken und Stuckaturen. Il Castello reale di Fontainebleau (in francese Château de Fontainebleau) è un castello in stile principalmente rinascimentale e classico, situato nel centro della città di Fontainebleau (Senna e Marna), ad una sessantina di chilometri a sud-est di Parigi, in Francia.Le prime tracce del castello di Fontainebleau risalgono al XII secolo. Primatice maître de Fontainebleau, les grands chantiers des années 1540. x 19 3/4 in.) Janet Cox-Rearick, Bronzino’s Chapel of Eleonora in the … Benvenuto Cellini (Italian pronunciation: [beɱveˈnuːto tʃelˈliːni]; 3 November 1500 – 13 February 1571) was an Italian goldsmith, sculptor, draftsman, soldier, musician, and artist who also wrote a famous autobiography and poetry. Samedi 26 mars 2022, 11h30. The Gallery of Francis I was built to connect the royal palace to the monastery. François I (r. 1515–47) undertakes the expansion of his hunting lodge at Fontainebleau, with the aim of creating a court equal in luxury and modernity to any other in Europe. In Italy, Rosso’s personal, introverted style did not exert much influence, but in France it was an important starting point for mannerism in the North. The artist had traveled there to enter the service of Francis I, King of France, who had gathered around him a number of Italian artists including Rosso, Primaticcio, and Cellini.Rosso is recognized as one of the leading first-generation Mannerists, and he is celebrated for his originality, striking colors, and intense drama. Briquet 7082, Paris 1544), a very good impression of this apparently unrecorded print, trimmed to or just into the subject, a paper loss … Tel père, tel fils (as father, as son), says the popular adage.. We previously saw how the father, in this case François Ier (or Francis I in English), was le responsable numéro 1 of introducing la Renaissance to France, by inviting the likes of Rosso Fiorentino and le Primatice to his court.. Frans I nam rond 1530 twee Italiaanse kunstenaars in dienst: Rosso Fiorentino en Francesco Primaticcio (1532). weavers: Jean and Pierre Le Bries, Fontainebleau 1540-47. Galerie François I er de Rosso Fiorentino et Scibec de Carpi au Château de Fontainebleau (1534-1539). The Nymph of Fontainebleau, after Rosso Fiorentino and Francesco Primaticcio after 1554 16th century 30.9 cm x 50.1 cm (12 3/16 in. Rosso Fiorentino Rosso, Medardo Roszak, Theodore Rotella, Mimmo Rothenberg, Susan Rothenstein, William Rothko, Mark Rothschild Rottenhammer, Hans (o Johann) Pittore tedesco Rottmann, Carl Rottmayr, Johann Michael Rouault, Georges itáliai manierista festő.. Életútja. Mannerism, artistic style that predominated in Italy during the 1520s to the 1590s. Rond 1530 nam Frans I twee Italiaanse kunstenaars in dienst: Rosso Fiorentino en zijn landgenoot Francesco Primaticcio (1532). Find art you love and shop high-quality art prints, photographs, framed artworks and posters at Art.com. A Galeria de Francisco I, com os seus afrescos feitos em estuque por Rosso Fiorentino, foi construída entre 1522 e 1540, sendo a primeira grande galeria decorada construída em França. Pályája elején Andrea del Sarto tanítványa volt, később Michelangelo hatása alá került. L'Ecole de Fontainebleau : Rosso Fiorentino et la naissance d’un nouveau style. Había sido compañero de Pontormo en el estudio de Andrea del Sarto. He was the author of a number of striking portraits and an influential print designer, as well as a painter of revolutionary religious works. Zij werkten in het Kasteel van Fontainebleau aan de decoratie, de fresco's en gipspleister-ornamentatie, die de wandtapijten moesten vervangen. TRENDING SEARCHES. In 1523 Rosso left Florence for Rome, where he stayed until the Sack of 1527, and he then worked briefly in several Italian towns until 1530, when he was invited to France by Francis I. En 1526 alors qu'il rentre à peine de captivité, François I er fait venir d' Italie un groupe important d'artistes italiens pour embellir son Palais de Fontainebleau [ 3 ] . Rosso Fiorentino (Florence 1494 - Fontainebleau 1540) Born, Giovan Battista di Jacopo, and trained under the Florentine masters, Andrea del Sarto and Pontormo, Fiorentino gained the nickname, Il Rosso for his bright red hair. These frescoes and reliefs from stucco, largely executed under sketches Rosso, is fanciful ornaments and formal order, full of difficult symbols and emblems, have had an impact on the development of mannerism in different European countries, including the establishment of the French school of Fontainebleau. Biographie. De um modo geral, em Fontainebleau o Renascimento foi introduzido na França. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Together they developed the style of the first Fontainebleau school, in effect the first extensive and consistent display of Mannerism in northern Europe. Like his exact contemporary Pontormo, Rosso became a pioneer in the development of the expressive style which is referred to as Early Mannerism. Diese brachten manieristische Stilelemente und … After Rosso's death in 1540, Primaticcio became chief designer. Giovanni Battista di Jacopo (8 March 1495 in Gregorian style, or 1494 according to the calculation of times in Florence where the year began on 25 March – 14 November 1540), known as Rosso Fiorentino (meaning "Red Florentine" in Italian), or Il Rosso, was an Italian Mannerist painter who worked in oil and fresco and belonged to the Florentine school In 1530 Rosso Fiorentino was entrusted with the decorations of the interior, later joined (1532) by Francesco Primaticcio. Está localizado en la ciudad de Fontainebleau, departamento de Sena y Marne, en el norte de Francia.. El palacio refleja, actualmente, las aportaciones constructivas y decorativas de varios monarcas franceses, a partir de una estructura inicial de Francisco I. The Mannerist Idiom. Madonna of the Long Neck is an excellent example of the new style of Mannerism, that followed High Renaissance painting in the early 1530s. He first invited Leonardo da Vinci and then, in 1530, called Rosso from Florence to the palace at Fontainebleau. O “ Maneirismo ” representa um estilo artístico que surgiu na Itália no século XVI, no período entre a Renascença e o Barroco (1520 a 1600). Rosso Fiorentino (eredeti neve: Giovanni Battista di Jacopo Firenze, 1494. március 8. In Italy, Rosso’s personal, introverted style did not exert much influence, but in France it was an important starting point for mannerism in the North. Baroque relief sculptors further developed the pictorial approach used in Renaissance art, often on a very large scale. 6:4 "Give not sleep to thine eyes, nor slumber to thine eyelids." Rosso Fiorentino died on 14 November 1540 at Fontainebleau. Rosso Fiorentino’s masterpiece was brought to life through this gallery. Their distinctive combination of painting and stucco relief became a hallmark of the School of Fontainebleau. Artist: Pierre Milan (French, died 1557) after Rosso Fiorentino (Italian, 1494-1540) Discover More. Two Italian artists were, above all, responsible for the work: first, the Mannerist painter/sculptor Rosso Fiorentino (1494-1540) who arrived in 1530, and the painter/sculptor Francesco Primaticcio (1504-70) who came to Fontainebleau in 1532. Garden view of Fontainebleau showing some of André Le Nôtre's work. El palacio de Fontainebleau, en francés Château de Fontainebleau, es uno de los mayores palacios reales franceses. Rosso Fiorentino (1494 - 1540) was active/lived in Italy, France. Diese brachten manieristische Stilelemente und … These frescoes and reliefs from stucco, largely executed under sketches Rosso, is fanciful ornaments and formal order, full of difficult symbols and emblems, have had an impact on the development of mannerism in different European countries, including the establishment of the French school of Fontainebleau. Baroque relief sculptors further developed the pictorial approach used in Renaissance art, often on a very large scale. Galerie François I er de Rosso Fiorentino et Scibec de Carpi au Château de Fontainebleau (1534-1539). Gli ultimi lavori furono effettuati nel XIX secolo. A Galeria de Francisco I, com os seus afrescos feitos em estuque por Rosso Fiorentino, foi construída entre 1522 e 1540, sendo a primeira grande galeria decorada construída em França. ©Kunsthistorisches Museum, Inv. The Nymph of Fontainebleau Date: 1554. The Mannerist Idiom. cartoon: Claude Badouin and others. Collection Spotlight Reading Arthur Upham Pope in Tehran (and Chicago) There will always be a constant battle in my heart and mind. En 1526 alors qu'il rentre à peine de captivité, François I er fait venir d' Italie un groupe important d'artistes italiens pour embellir son Palais de Fontainebleau [ 3 ] . L'Ecole de Fontainebleau : Rosso Fiorentino et la naissance d’un nouveau style. Browse All : Images by Rosso Fiorentino and Du Cerceau, Jacques Androuet, the elder of Fontainebleau, D¿partement de Seine-et-Marne, France from Baroque and Mannerist (Renaissance-Baroque style) 1-29 of 29 El palacio de Fontainebleau, en francés Château de Fontainebleau, es uno de los mayores palacios reales franceses. The Palace of Fontainebleau (/ ˈ f ɒ n t ə n b l oʊ /; French pronunciation: [fɔ̃tɛnblo]) or Château de Fontainebleau, located 55 kilometers (34 miles) southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux.The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Zij werkten in het Kasteel van Fontainebleau aan de decoratie, de fresco's en gipspleister-ornamentatie, die de wandtapijten moesten vervangen. Help. Frans I nam rond 1530 twee Italiaanse kunstenaars in dienst: Rosso Fiorentino en Francesco Primaticcio (1532). De um modo geral, em Fontainebleau o Renascimento foi introduzido na França. Se trata de uno de los primeros y más destacados exponentes toscanos del manierismo pictórico. Rosso Fiorentino is known for Mannerist Biblical scene and figure painting. 22. Typical of Mannerism in Fontainebleau is the combination of painting, sculpture, color-intensive ornaments, wood carvings and scrollwork, historical paintings and mythological images. In France, the School of Fontainebleau, which was originally founded by Italians such as Rosso Fiorentino, succeeded in establishing a durable national style. A day at Château de Fontainebleau, 2016. High Renaissance art - exemplified by Raphael's Sistine Madonna (1513-14, Gemaldegalerie Alte Meister Dresden) - emphasized harmony and balance. Rond 1530 nam Frans I twee Italiaanse kunstenaars in dienst: Rosso Fiorentino en zijn landgenoot Francesco Primaticcio (1532). Henri II entering the Temple of Immortality (or Ignorance Defeated) (cf. Mannerism, artistic style that predominated in Italy during the 1520s to the 1590s. Rosso Fiorentino Rosso, Medardo Roszak, Theodore Rotella, Mimmo Rothenberg, Susan Rothenstein, William Rothko, Mark Rothschild Rottenhammer, Hans (o Johann) Pittore tedesco Rottmann, Carl Rottmayr, Johann Michael Rouault, Georges Their powerful bodies, strained in an exasperated dynamism, resemble the tangle of soldiers in Michelangelo’s Battaglia di Cascina cartoon. T … School of Fontainebleau (c. 1530 – c. 1610), refers to two periods of artistic production in France during the late Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming the Northern Mannerism. After Rosso Fiorentino (1494-1540), School of Fontainebleau (Antonio Fantuzzi ?) Additional Information Building Address 77300 Fontainebleau, France Supporting Designers/Staff Rosso Fiorentino (1495-1540) directed designers during construction of interior Furniture by Francesco Scibec da Carpi School of Fontainebleau: The infamous French palace, decorated in the late 1500s by a group of painters headed by Rosso Fiorentino, specialized in eroticizing the mythological or classical subjects that were requested for the aristocrats of the time, serving as a precursor for the fanciful tastes that the later nobles would request. The Nymph of Fontainebleau, detail of decorative scheme in the Gallery of Francis I, 1530-40 fresco and stucco made by Giovanni Battista Rosso Fiorentino as the highest quality fineart print to your liking. Giovan Battista di Jacopo di Gasparre, detto il Rosso Fiorentino (Firenze, 8 marzo 1494 – Fontainebleau, 14 novembre 1540), è stato un pittore italiano, uno dei principali esponenti dei cosiddetti "eccentrici fiorentini", i pionieri del manierismo in pittura. Nesse período, a Europa passava por diversas transformações políticas, econômicas e culturais, tal qual o … After his releaase he travelled through Tuscany and Venice, ending up at Fontainebleau in 1530 as court painter for Francis I where he died on 14 November 1541. He is recorded as a painter of the First School of Fontainebleau from 1537 into the 1540s, at first on “modest wages”, but from 1540 better paid, and apparently a principal assistant to Francesco Primaticcio, who had taken charge of the “school” decorating the Palace of Fontainebleau after the suicide in 1540 of Rosso Fiorentino. We do not sell mass-produced goods but … In 1530 Rosso Fiorentino was entrusted with the decorations of the interior, later joined (1532) by Francesco Primaticcio. Such Mannerist artists as Parmigianino and Jacopo da Pontormo evolved a style characterized by artificiality and artiness, by a cultivation of elegance and technical facility, and by a sophisticated indulgence in the bizarre. Chess: "Fontainebleau" "shark" "sickle" Palace of Fontainebleau Fontainebleau at Seine-et-Marne, France is 50km south of Paris. Weislogel , A.C. , Rosso Fiorentino, Benvenuto Cellini and Clement Marot.Court artists and poets at Francis I's Fontainebleau , 1530-45 ( Ithaca N.Y. , 2000 ) . Fontainebleau is not just one monarch’s palace, it belonged to them all, a “family home” for the kings of France, passed down from generation to generation from the Middle Ages to the 19 th century. Durch die Berufung von Rosso Fiorentino, Primaticcio und Nicolò dell’Abbate an den französischen Hof durch Franz I. breitete sich die nuova maniera bereits ab 1530 in Frankreich aus und führte zur Ausprägung der sogenannten Schule von Fontainebleau. Durch die Berufung von Rosso Fiorentino, Primaticcio und Nicolò dell’Abbate an den französischen Hof durch Franz I. breitete sich die nuova maniera bereits ab 1530 in Frankreich aus und führte zur Ausprägung der sogenannten Schule von Fontainebleau. Engraving on cream laid paper Italian mannerist artists such as Rosso Fiorentino (1494-1540) who worked on the painting and stucco decoration of the French royal palace of Fontainebleau established a courtly style of attenuated elegance and refinement in the period 1530-60. A veces, en Design: Francesco Primaticcio (1504-1570), Rosso Fiorentino (1494-1540). Bartsch 43; Zerner A.F. En Francia, el manierismo fue difundido por Rosso Fiorentino, quien fue allí a trabajar en la corte de Fontainebleau. Rosso Fiorentino se forme dans divers ateliers en étudiant Michel-Ange et Le Parmesan ou Parmigianino, même s'il est d'abord connu comme élève du maître maniériste Andrea del Sarto, à l'instar du Pontormo, son alter-ego dans la peinture pendant de longues années.Il entre en 1516 dans la corporation des peintres florentins, entité qui deviendra sous la … Published in conjunction with the exhibition Le Roi et l'artiste - François Ier et Rosso Fiorentino, château de Fontainebleau (23 March - 24 June 2013). The Unity of the State from a set of the Gallery of Francis I. Rosso Fiorentino, Galería de Francisco I, Palacio de Fontainebleau, Francia La experiencia manierista se caracterizará por un desarrollo discontinuo en Italia: la presencia de un gran artista no siempre será condición suficiente para la formación de una escuela local autónoma, como sucede para Perin dal Vaga en Génova. (Paris, [2013]) YF.2014.b.420. France, Fontainebleau Castle by Giovan Battista Di Jacopo, known as Rosso Fiorentino Giclee Print. No. ROSSO FIORENTINO Bacchus, Venus and Cupid. 24) engraving, circa 1542, watermark Fleur-de-Lys (cf. Biographie. He was court painter to Francis I from 1532 to 1537; he died in Paris. Samedi 26 mars 2022, 11h30. Copy after Pierre Milan and Rene Boyvin (1545 … Fontainebleau. Zij werkten in het Kasteel van Fontainebleau aan de decoratie, de fresco's en de gips pleister-ornamenten, die de wandtapijten moesten vervangen. He worked in the stucco technique and decorated the palace in Fontainebleau with painting and stucco decorations. Está localizado en la ciudad de Fontainebleau, departamento de Sena y Marne, en el norte de Francia.. El palacio refleja, actualmente, las aportaciones constructivas y decorativas de varios monarcas franceses, a partir de una estructura inicial de Francisco I. The Palace of Fontainebleau (/ ˈ f ɒ n t ə n b l oʊ /; French pronunciation: [fɔ̃tɛnblo]) or Château de Fontainebleau, located 55 kilometers (34 miles) southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux.The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Key artists at Fontainebleau included Francesco Primaticcio (1504-70) and Rosso Fiorentino (1494-1540). At Fontainebleau, Primaticcio worked closely with Rosso Fiorentino, introducing Italian Mannerist features into French decorative art. Together they developed the style of the first Fontainebleau school, in effect the first extensive and consistent display of Mannerism in northern Europe. Rosso Fiorentino se forme dans divers ateliers en étudiant Michel-Ange et Le Parmesan ou Parmigianino, même s'il est d'abord connu comme élève du maître maniériste Andrea del Sarto, à l'instar du Pontormo, son alter-ego dans la peinture pendant de longues années.Il entre en 1516 dans la corporation des peintres florentins, entité qui deviendra sous la … Picon, Guillaume, Éric Sander, and Barbara Mellor. – Fontainebleau, Párizs mellett, 1540. november 14.) Browse All : Images by Rosso Fiorentino of Fontainebleau, D¿partement de Seine-et-Marne, France from Mannerist (Renaissance-Baroque style) and Mannerist (Renaissance-Baroque style) Llevó el manierismo florentino a Fontainebleau en 1530, donde se convirtió en uno de los fundadores de la llamada la Escuela de Fontainebleau. Nesse período, a Europa passava por diversas transformações políticas, econômicas e culturais, tal qual o … High Renaissance art - exemplified by Raphael's Sistine Madonna (1513-14, Gemaldegalerie Alte Meister Dresden) - emphasized harmony and balance. Mannerism and The Palace of Fountainebleau. Glory, or Fame, is personified as a draped, winged woman standing on a globe, triumphantly brandishing a trumpet in each hand. Oriane Beaufils, Conservatrice du patrimoine, Direction du patrimoine et des collections, Château de Fontainebleau. O “ Maneirismo ” representa um estilo artístico que surgiu na Itália no século XVI, no período entre a Renascença e o Barroco (1520 a 1600). Había sido compañero de Pontormo en el estudio de Andrea del Sarto. Primatice maître de Fontainebleau, les grands chantiers des années 1540. Rosso was joined in 1532 by Primaticcio (1504–70). Rosso Fiorentino interprets the holy episode as a scene of nude figures fighting. Il Castello reale di Fontainebleau (in francese Château de Fontainebleau) è un castello in stile principalmente rinascimentale e classico, situato nel centro della città di Fontainebleau (Senna e Marna), ad una sessantina di chilometri a sud-est di Parigi, in Francia.Le prime tracce del castello di Fontainebleau risalgono al XII secolo. Avec son plafond à caissons, ses sculptures et ses fresques signées de l’Italien Rosso Fiorentino, la galerie François-Ier est la plus emblématique du château de Fontainebleau (Seine-et-Marne). Inspired by the Italian masters Michael Angelo and Raphael, Rosso Fiorentino set the basis for French Renaissance in Fontainebleau. Rosso Fiorentino , Italian, 1494 - 1540, Portrait of a Man , early 1520s, oil on panel, Samuel H. Kress Collection, 1961.9.59 In Florence, during the second decade of the 16th century, Pontormo (1494-1556) and Rosso Fiorentino (1494-1540) were the main interpreters of Mannerism. Rosso Fiorentino was one of the leading Florentine painters of the early 16th century. Le roi et l'artiste: François Ier et Rosso Fiorentino : Château de Fontainebleau, du 23 mars au 24 juin 2013 / commissariat, Thierry Crépin-Leblond, Vincent Droguet. Exhibition selection "Le roi et l'artiste - François Ier et Rosso Fiorentino" Paris: Éd. Such Mannerist artists as Parmigianino and Jacopo da Pontormo evolved a style characterized by artificiality and artiness, by a cultivation of elegance and technical facility, and by a sophisticated indulgence in the bizarre. Llevó el manierismo florentino a Fontainebleau en 1530, donde se convirtió en uno de los fundadores de la llamada la Escuela de Fontainebleau. Avec son plafond à caissons, ses sculptures et ses fresques signées de l’Italien Rosso Fiorentino, la galerie François-Ier est la plus emblématique du château de Fontainebleau (Seine-et-Marne). Giovan Battista di Jacopo di Gasparre, detto il Rosso Fiorentino (Firenze, 8 marzo 1494 – Fontainebleau, 14 novembre 1540), è stato un pittore italiano, uno dei principali esponenti dei cosiddetti "eccentrici fiorentini", i pionieri del manierismo in pittura.

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